Pearl Cleage revisits “Blues for an Alabama Sky”

I had the opportunity to meet playwright/novelist Pearl Cleage for the first time while I was a contractor for the Alliance Theatre in Atlanta. At the time, I was helping the theatre re-imagine its community engagement programs, and Pearl was hosting a series called "Page to Stage with Pearl Cleage." "Page to Stage" was a pre-show talk Pearl conducted with…

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Real Women Have Curves

Seven years ago I played the role of Rosali in the play Real Women Have Curves at The University of Georgia, which changed my view of theatre forever. The play was written by Chicana playwright Josefina Lopez in 1995. Dealing with issues of immigration, domestic violence, body image, and feminism, the play resonates with audiences today. Recently, I had the…

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Q&A with playwright Dominique Morisseau about DETROIT 67

  Last Monday I interviewed international playwright Dominique Morisseau about her play Detroit 67. It runs at Atlanta's Southwest Arts Center, February 10 - March 8. We chatted a lot about her hometown of Detroit, and how she aspires to be the scribe for the people she grew up with. Below is a teaser of our conversation. Click the link…

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Q&A with Rain Pryor

I interviewed actress, singer, and comedian Rain Pryor, daughter of famed comedian Richard Pryor, about her one-woman show Fried Chicken and Latkes. Here's a taste of our conversation: ArtsATL: Do you remember your first school play? Rain Pryor: The first school play I ever did was Winnie the Pooh and I played the ass Eeyore, because — this should be…

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“theatre is “a white invention, a European invention and white people go to it””

Acclaimed British actress and director Janet Suzman probably wishes she could rewind back to the time where she said "Theatre is a white invention, a European invention, and white people go to it. It’s in their DNA. It starts with Shakespeare." Talk about a shit show. As someone who has worked doing marketing and public relations for non-profit theatres, I…

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